The action shot of Spock and Kirk jumping through the portal is a sculpt inspired by their jump from the past (middle), not to the past (left).
“Star Trek: First Contact”, Borg Queen and Locutus.
Unfortunately, Kirk’s eyes closely resemble Mr. Magoo’s in this otherwise accurate sculpt.
Kirk and Spock are at slightly different angles to Pike compared to their position in the episode. The ornament has Kirk turned toward Pike 45 degrees while Spock is more squared up and perpendicular to him.
Any slight difference in the positioning of the Vulcan lirpas is quickly drowned out by the fantastic battle music that accompanies the ornament. Unfortunately, the sculpt depicts Kirk moments before his shirt is sliced open. We could use a torn-shirt Kirk ornament in a bad way.
In the episode, McCoy is pressed against the computer bank. In the sculpt, there is distance between him and the wall and his head in leaning back.
If you are wondering why the artist has the Spocks standing in front
of a wall adorned with the Federation’s delta insignia…
“Put aside logic, do what feels right”.
(A,B) The Gorn approaches a trapped Kirk and (C) raises his dagger, (D) the episode breaks for commercial, (E) the Gorn reaches out toward the rock, (F) grabs the rock and (G) pulls it away allowing Kirk to escape
This ornament is a view we never see on screen. It is the moment that occurs in image (F) but from the camera angle we are familiar with from image C. No explanation why the ornament does not include the vine netting around Kirk’s leg.
Spock’s elbows are bent and his forearms placed more vertically on the close shots (bottom left) while in the long shots his arms are more outstretched with his forearms horizontal (top). Spock’s boot and legs are exact copies from the long shots. The ornament is a blend of the different shots.
While most (WARNING: 39 year old spoilers ahead!) of Spock’s death scene in The Wrath of Khan is shot from Kirk’s side of the glass, from the moment Kirk puts his hand on the glass until Spock’s actual demise, the scene is all shot from Spock’s side of the glass. While the ornament can be viewed from both sides it is impossible to reproduce the movie camera’s perspective from the back of the ornament. In the end, we get an ornament of a classic scene from Kirk’s perspective.
Kirk and the Salt Vampire.
(A) Sulu enters the bridge, (B) Sulu’s guard arm is raised in the scorpion position, (C) Kirk ducks Sulu’s lunge, (D) Kirk jumps over the bridge railing to the lower level, (E) Sulu resumes the scorpion position, (F) Sulu holding Uhura faces Kirk, (G) Uhura’s struggles draws Sulu’s attention, (H) Uhura breaks away
Sulu’s likeness is captured from image B or E. Kirk’s stance is closest to that of F or G. Kirk’s position to the sword is never closer than that in image C. The Naked Time ornament marries many moments in the scene to capture an iconic but nonexistent moment in time.
Burnham gives Georgiou’s telescope to Saru in the first season episode “Choose Your Pain”. In the episode, the pair simply stand in front of the telescope case which sits on a table and the ornament depicts them in a similar standing position but with Saru holding the case, a moment we never see appear on screen.
